Sleep Hollow: S2E12 “Paradise Lost”

Our Bond Cannot Be Broken

Orion with halo

They’re baaacck. Just as I was lamenting the opportunity to review Sleepy Hollow, the show returned to rescue me. My months of deprivation have ended. Yes, absence makes the heart grow fonder, and the show is back in fine form. Abbie is bold, strong, taking the lead. Innuendo abounds. The story moves. And we get an angel. What’s not to love?

As if from a deep slumber, like Ichabod, we awaken from a mid-series break to an opening scene that looks suspiciously like a dream.  The first person Ichabod touches is Abbie, then his wife.  Moloch is dead. Is this real? Six weeks later, Abbie and Ichabod are shopping together, a Couple Activity if there ever was one. Let me pause here. SIX WEEKS LATER.  What happens in that six weeks??  Big gaps in time, dreamlike opening scenes.  Just saying. Ichabod realizes how lost and purposeless he is without the Darkness. When it comes to discussing Katrina, Abbie can pour salt in the wound when she wants to: “She spends more time with her greatest enemy than with you.” She says it wistfully, with innocence, but there’s an edge and an ulterior motive hidden in there. Seems like our girl is cleverly creating a wedge now that Ichabod is living on a makeshift bed instead of at the cabin with his wife. She knows an opportunity when she sees it.

Katrina ep 12

And then, before the credits, we are treated to red-eyed apocalyptic demons, a winged halo-throwing angelic host in black and our gun toting dynamic duo! Meanwhile, Katrina is doing the bondage thing again, this time with the blonde headed Horseman in chains as she seeks a way to transform him back to human. Then what, Katrina? What plans do you have for him then?

Back to our fearless duo, the angel, Orion, tells them he’s one of the few angels who is devoted to fighting evil and has escaped from purgatory after being locked away there for 200 years. Let’s not assume Moloch locked him there. He might be there on a directive from on high for conduct most unbecoming.

When alone with Orion, Abbie asks some pretty lame questions.  She seems so much more sophisticated after all she’s seen than to ask an angel “was the world really created in seven days?” and “what’s he like, if he’s a he and not a she?” And she doesn’t get it when the angel tells her All that is, is All that is?? He ends up giving her a mini halo weapon charm for her to call him when she needs him.  Looks like a tracking device to me. Why don’t I trust him? Perhaps because he’s a super righteous, angry angel dressed in black, with black wings and weird eyes??

Angel Orion and Abbie


Katrina tells her husband that she wants their love to bring back the Headless Horseman.  Ohhhh-kay. I think I see the wheels turning for Ichabod that this will reintroduce Abraham once again as a flesh and blood rival for her affections.  Ichabod may sometimes be a little slow on the uptake, but he’s not a complete idiot. He stalls.

Orion has other ideas about Abraham. He’s bent on destroying him in a very It’s My Mission kind of way.  Yeah, he’s no good. Further giving in to her soft spot for Abraham, Katrina lets the Headless Horseman go so she can attempt his transformation to mortal.  Meanwhile, in a local bar, Abbie’s sister, Jenny, is looking more beautiful and wearing a leather skirt, which means Hawley is on the horizon to thwart any suitors and offer up an ancient Sumerian demon tracking device so he can learn that the Horseman is with the demons. (This show knows how to kill two birds with one stone.) And what is the Horseman doing after Katrina freed him and made him promise not to hurt anyone while she tries to fix him back to normal?  He’s hanging with demons and reforging his mighty axe, of course.

Ichabod’s ever sharpening research skills reveal that Orion’s appearance has historically presaged really major disasters and plagues. Then Orion tips his hand to Abbie, who he thinks shows good character, and tells her he will bring a great judgement to mankind, and use his blade to cleanse our wickedness. (Well, someone’s gotta do it.)  Angel battles Horseman. Ichabod and Abbie battle demons. It’s ON. Abbie distracts Orion, Ichabod destroys his weapon, thereby saving his friend (and rival), Abraham. Orion flies off.


I always wonder…why the cumbersome wings? If the giant bird wings are literal and real,  why the ability to make them come and go on command without the ability to make them look different? Why not appear in another way, like with sleek, retractable metal wings?  But I quibble.

Ichabod also shows backbone in this episode when he faces Katrina, “We share  a mission, but we also chose to share a  life together. You simply used our marriage as a bargaining tool…We must redefine our marriage.”  Katrina wants to start today. Ichabod is like, uh no. On my terms, in my time. And this, ironically, becomes the sexiest moment to date between the couple. ALWAYS better when you let the characters fight the magic before it subsumes them. It works for Abbie and Ichabod, and a real husband/wife relationship and attraction gives Abbie something to fight for, even if it’s subconsciously or on the sly.

Nice treat: the Captain arrives, albeit looking a little worse for wear. Oh shit. I just realized what’s up with that and why he asked, “Is this Heaven or Hell?” And I thought we were rid of…I’ll hold that one back.

My Pet Peeves:

Shots turned upside down suggesting a topsy turvy world where what you think is real or good, isn’t! Gives me nausea.

The cursory Hawley In/Hawley Out moments. He still doesn’t feel like a full character.

My Favorite Moments:

“Witnesses represent.”

Abbie calls angel Orion a zealot.

Ichabod growing a set with his wife.

The preview for next week’s ep looks promising. I think the show is really getting back into its groove. The ethnic diversity is re-establishing itself. Abbie and Ichabod are making strong choices as co-Witnesses. Passion and love intrigue are in the air. Jealousy is asserting itself as a core issue. Now sit back, and enjoy the rest of the season.





Sleepy Hollow S2E11: “The Akeda”


Biker babe

It’s a dark, apocalyptic and really really stormy night…And my dream from my last review of Abbie riding a motorcycle has come TRUE!  Ha! Prescience?

The gang’s all here, and this is one busy episode. And that’s saying something for this show.  Abbie and Ichabod discover Henry and Moloch’s Mad as Hell plan in miniature. That pentagram over the model town is pretty lopsided. It’s a mathematical as well as supernatural figure after all, but we’ll assume the model is not accurate. BTW Couldn’t Henry just use a MAP?  Onward to Katrina and Abraham playing bondage by firelight, forcing Ichabod to draw his sword and fight for his wife.  Ichabod wields the cool, magical Methusaleh blade well. The music pounds. The action moves. It’s Mid-Season Finale!

Magic has a price. Any witch knows that. Ichabod, Abbie Katrina and Jenny come together to capture Abraham/The Headless Horseman. And as Katrina chains up her Other Man (is that a twinkle in her eye?), Abbie deals with the Katrina/Abraham dilemma head on. “I know this isn’t easy for you…seeing her with him.”  Oh, Abbie.  This draws Ichabod out to admit that the marriage has been “under a lot of strain.”  Uh-huh. The romantic formula brews.  Hmmm. Am I the only one seeing Ichabod’s handling of that sword throughout the episode as kinda phallic?

Ichabod Sword Irving

The sword of Methusaleh, which can stop the Apocalypse, claims a human soul if used. Of course, Captain Irving doesn’t have a soul, so let’s volunteer him! Wait. Where is he again? He reveals his whereabouts via code. Naturally.

As Katrina tries to cajole and convince Abraham to help, Ichabod overhears her entreaties. Oops. Again, it must be mentioned that Katrina is STILL wearing that corset. But now I see it for what it is. She’s a quintessential Tease, because, you know, a proper lady wants to wear her period underwear on the outside all the time and every chance she gets when she’s around two men from the 18th century who would usually only see such a private item in the bedroom. Sly Fox.

No episode would be truly Sleepy Hollow-ish without a visit to the catacombs. Those sets are getting some good use. Here, we find Captain Irving, looking menacing in the dark, with a gun and in a hoodie (Really?)  I’ve got a bad feeling about this. Oh, please please please don’t let this be Irving’s Sacrificial Negro swan song.

Meanwhile, we learn from big Sooty Black Moloch that each white tree burned black brings evil. Huh?  Black = Evil? With all these evil white folk running around?? Cue Hawley. Damn, I thought maybe we were rid of him and his convenient presence and quips.  Anyway, bloody hail falls when he steps outside. Just sayin’.


Ichabod tries to have a heart to heart with Katrina. I just never believe she has any real feelings for him, do you? I’m not sure if it’s the actress or the story plans for the character and uber subtext that the writers have given her. In a showdown, all our heroes go for a walk in the woods armed to the teeth on their mission to stop Moloch, and all Hell breaks loose. Abbie gets shot, Katrina gives glowy witchy power, Irving wields the shining sword and War comes galloping in with a flaming blade. (More males and their swords.) I don’t make this stuff up folks, I just review it with glee.  Irving cuts off War’s arm. (Come on! It’s just a flesh wound!) And of course, Irving stumbles, bleeding and wounded after the fight and…well, you know the rest.

Ichabod walks in on Abbie in a little black shirt, looking sexy and beautiful while having her wound bandaged by her sister.  Then he gets to hold back an emotional Abbie (against him, yes, AND in slo mo) when she learns about Irving’s fate. And I’m like, couldn’t Katrina sing HER swan song too?  These two Witnesses are just made for each other!  When Abbie takes hold of the sword (why not?), Ichabod stands up for Abbie staying alive. He’s likely thinking uh, I just held you against me, and I REALLY think you should live. Then she reminds him that their Purpose and Mission are more important. And each of the women step up to say they’ll gladly take the sword and risk their lives.  A strong, We Are Powerful Women moment.

Meanwhile, Moloch expects Henry to die and sacrifice himself for the demon’s glory. Henry sees Moloch as a substitute father and is none too pleased. I think we see where this is going, right? Abbie, using some impressive super heroine moves, fights off a Root attack from Henry. (Hey, are those giant, natural hair roots?) Henry dares Ichabod to kill him. “What will it be, Father?”  I’ll take that sword, son.

Into the Woods, and our heroes are tied to the white trees as they wait to be slaughtered. Henry realizes that Moloch thinks little of him or Abraham and their loyalty. Moloch just wants everyone dead. And so Henry feels betrayed and takes matters into his own hands, and the full meaning of The Akeda, or Binding, from the biblical Isaac and Abraham story, exerts its influence.  My ears began to tire at this point from all the bombastic music and sound effects. And then, all of a sudden, darkness. It all ends, leaving us to wait. And wait. And wait.

Mid-season. Oh how we hate thee.

My Pet Peeves

The episode was a little bit on the frenetic busy side in its effort to create compelling action

Gunga din/Sacrificial Negro (unless Irving’s not dead, and is really just in Supernatural Stasis)

My Fav Moments

Ichabod on a motorcycle for the first time: “I want one of these as soon as this is over!”

“Enough deceit! We have an Apocalypse to halt!”

“It’s okay. She’s a witch.”

Abbie admonishing Hawley: “I need to trust you to watch over the Horseman until we get back. It’s not a party. You can’t have any friends over.”

More seeds of romance

All that sword play

What will you watch while you await the return of Sleepy Hollow?  My appetite is whetted by all these swords, and since Walking Dead is also on break, I guess I’ll have to settle into Game of Thrones. Oh, but that’s not premiering until Spring 2015. What’s an ersatz kick-ass damsel in distress to do?

If you feel so inclined, share what you’d like to see in the second half of Season 2. I want to see a full blown Abbie/Ichabod romantic moment, maybe by accident, maybe thinking they’re going to die, and so they think why not?   I’d like to see Abbie go Evil. She certainly has the attitude and chops for it. If Hawley and Katrina have to stick around, I’d like to see them more involved in episodes in meatier, less predictable ways. Hell, let Hawley go after Katrina. It would be fun to see Irving re-appear. I want stand alone episodes that dig into some cool and really scary supernatural shit. Your turn.

Until next time, in 2015, naturally…

Abbie Natural



Sleepy Hollow S2E10: “Magnum Opus”

First of all, I have to apologize to my readers for my being so late in posting this review.  For this reviewer, TV horror needed to take a back seat to the real horror of the events that occurred this week of the killing of 12 year old Tamir Rice by Cleveland police and the grand jury decision on the Mike Brown case in Ferguson.  It’s taken me a few days, but I’m back.

Mirror Mirror

Let’s reflect. As usual, this episode is chock full of fun before opening credits: Katrina chats by mirror; Abbie and Ichabod puzzle over old books, maps, messages, mirror distortion code-breaking and prophecy; Henry eavesdrops; a sheriff is after Captain Irving; a quest begins for the sword of Methusaleh to kill Moloch; the Headless Horseman rides again. Buckle up.

It’s a dark and stormy night, and it’s nice to see the Horseman riding again.  There’s a lot of running.  Abbie fearlessly takes the initiative in a high stakes search for a supernatural weapon. And the soundtrack looms with blares of trumpet. It’s like Season One all over again which is a good thing. We’re back to the dynamic duo fighting the good fight as only they can.  The show works much much better this way. Oh, and no Hawley. He was not missed. OK?

Ic and Ab Magnum Opus

Flashbacks? Oh yeah. With fencing dudes Icabod and Abraham giving a hint of homoeroticism. You know, the we’re playing sports, sweating, getting close, best friends kinda thing, capped by Ichabod’s declaration “He made me who I am.”  This is followed by a pub flashback and a drinking buddies moment with talk of bedding buxom women: cue Katrina, and lo and behold, we have a threesome.

Ichabod is very uber confident and pontificating in this episode, often to comic effect. But it also serves to make him seem more in control and sexier,  and less the bumbling, out-of-his-time guy. I like a balance of those two sides, and we get that this episode.

Ichabod and Abbie go into, yes, you guessed it, yet another cave leading to the town’s underground catacombs.  They discover people turned to stone. Are you thinking Medusa?  She was a Gorgon, so yes. Abbie shows fear, vulnerability and frustration in having to face this creature and her own possible death.  Then she uses her logic to deal with it. Bravo, girl.


The Horseman rides a second time, and did I miss something? Is he ALWAYS accompanied by stormy nights? We get treated to Gorgon SFX. Nice.  Abraham appears to Ichabod as his true self (with head), and the men take up swords against each other.  They argue plot points we already know, but there’s an added injection of doubt about Katrina’s true allegiance.  Before he leaves, Abraham drops, “As I ride with your wife…You have no sword. You are nothing.” Ouch.

Abbie and Ichabod go into Witnesses Overdrive as Abbie gives him that direct, smoldering look, drops her voice deep and low and asks, “What do we have that they didn’t? ” The look is returned by Ichabod,  “Each other.” And they light a flame together to reveal the treasure they seek.  So much symbolism this episode.  Mirrors and true selves and the crucible of fire that tests both courage and love.  The glowing light reflected from the sword is very Medieval and fetching on our Ichabod. Sword in the Stone, the Golden Fleece…any other myths knocking around this episode?

sword in the stone

While Captain Irving takes off to seek his own fate, Henry takes after his dad with all that pontificating. He’s getting on my nerves.  I don’t find him scary AT ALL. As much as I love the actor, the character is tiresome.  I only hope that fast-grow Moloch will step in soon to take the reins. One more episode before the mid-season break, so I have a feeling my wish will come true.

My Pet Peeves

The repetitiveness of some motifs have started to come across as lack of imagination: Henry’s I’ve Got Something New for You at the end of each episode, cave locales for supernatural encounters, it was a dark and stormy night. Yes, I know there’s a formula. I think we need a bit more originality.

My Fav Moments

Abbie’s Clarity of Purpose and Rare Gift: “It is my legacy…It is why I’m here.”

Who needs technology? Mirror as video conference, distortion decoder AND bugging device. Ah, but clever Ichabod has started using his PDA apps!

Icabod Cell Card game

The multiple mentions of Abbie’s mom and her legacy, which means the highs of the previous episode are part of the story arc.

“Thank you, Colonial Myth Buster.”

“Good morning, sunshine.”

“Crane, I can see his head.”

Whenever Abbie sports that pseudo biker babe look in that black cap and leather jacket, it makes me want to actually see her on a bike (writers?)

I don’t know about you, but I hate mid-season breaks. They are the bane of my existence. And it’s a shame to pause just when it feels like the show is starting to finally get its groove again.


Sleepy Hollow S2E9: “Mama”

You Are My Sunshine

Mama in strait jacketNo longer the plight of black women on Sleepy Hollow?

Is this the episode so many of us have been waiting for this season, where Abbie is front and center like she was in Season 1? Will Katrina, Henry, Abraham and Hawley overshadow Jenny and Abbie?  Or will the the Mills sisters get their full due in a family-devoted episode where we get to learn more about their mother?  I’m happy to report that we can worry less…at least for most of this episode.  Abbie is back, and so is Jenny.  And welcome home, Mama.

But before I dive into the episode, there’s something I need to get off my chest.  It’s no secret amongst fans that the straight jacketing of Abbie, and the perception that she’s been sidelined as a character has been an issue. The Crane family has been getting  A LOT of attention, while the Mills have fallen by the wayside.  It’s taken nine episodes to get to the heart of what matters just as much: Abbie’s past and family history.  This delay in dealing with the black side of the equation has been problematic. This is not supposed to be the Crane show.  It’s the Abbie and Ichabod show.  By putting white characters either first or foremost, the show slips into the same pitfalls of so many other shows written by a roomful of white writers. Even when there are key black characters,  the white characters’ point of view takes priority. The writers probably won’t appreciate the critique, as I understand they have gotten offended by the Twitter Sleepy Hollow fan hashtag #AbbieDeservesBetter.  It would be helpful for the writers to consider their approach to the season, the episodes and characters in the the context of a world that continues to sideline, ignore, neutralize, minimize, trivialize,  infantilize, criminalize, sexualize black people.

The fact that the executive producers’ and writing team’s hearts and minds have created such a diverse and potentially powerful cast is great. How that wonderful idea is executed and realized makes all the difference. In case anyone hasn’t noticed, the Asian and Latino characters have also faded away from the show. It’s begun to feel a bit like a bait and switch, where we get some great diverse characters dangled in front of us, and then the seasons settle into a show about the Cranes, Hawley and Abraham, with Mills and all other ethnic characters filling in here and there in an increasingly ancillary way. (i.e. Abbie offering to make tea for the Cranes last episode…really?)  The light at the end of the tunnel is that at least one of the writers seems to be listening, or the team is finally getting around to what was planned all along. In “Mama,” they get things (mostly) right.


In episode 9 we’re treated to a prelude of Abbie’s dream of her mom. Shortly thereafter, Ichabod is conveniently kept out of the way with a bad cold. Wait. Does the white man have to be sick to give Abbie focus? That might not be a good sign, because it’s temporary and offers us that horrible sense that a black character can only have power when the white man is weak.   Sorry, perhaps I’m taking the Mills Mom’s advice too literally:  “Eyes open, Head up, Trust no one.”

Abbie meets up with her sister at Tarrytown Hospital. They go to visit Captain Irving, thereby creating a rare trifecta of an intelligent scene between three black characters. Another good sign is the casting of Aunjanue Ellis, a fine actress, as Abbie and Jenny’s mother.

Back to sick Ichabod, and enter Hawley. What? Why?  Because if one white man is sick, there’s gotta be another one in the picture? And then, do we stick with Abbie? Oh, no. Cut to Henry Parrish, little baby Moloch and Katrina. Eww, that nasty ass thing at Katrina’s shoulder…

Back to Abbie and Jenny. And yes, Hawley (aka Ichabod Substitute), is joining the journey, because the black women need a white man on the scene. (Please make it stop.)  If  Hawley had to be involved, I would have liked to have seen him sidelined and utilized for research and relegated to remotely feeding Abbie and Jenny the info they needed to make discoveries at the mental hospital, while the women stayed on the case, alone. Hawley does not need to be in the hospital scenes. It throws off the dynamic.

The hospital takes on an American Horror-ish life of its own with funky lighting and abandoned wards (I don’t trust that nurse, do you?), and it starts to get interesting. I want the story to get nightmarish, build the tension, and to stay here. Alas no, we jump back to Katrina. Then we jump back to the sisters. This is not working for me. It would have been stronger to just give Abbie and Jenny the episode. Believe me, we would not forget about Katrina or Henry or Hawley or baby Moloch.

Back to more creepy hospital scenes with Captain Irving trying to off himself, under the influence of what is truly haunting the mental ward.  I think the show would benefit from more showing and doing, and less telling. “Oh look, this is the box with mama’s stuff. Oh look this is her journal. This is a West African incantation” etc etc. Let’s just SEE IT.  Let the story build some real tension and scares. The audience for this show is bright enough to follow the story and to connect the dots.

Mama tears

And please, can we take a break from incantations for a while? That nurse was defeated way too easily. There are other ways to defeat Evil. How about the powerful strength of the Mills women united in love? And why Why WHY do we need both Hawley and Ichabod when Abbie and Jenny are trying to help their mama?  They don’t need no white witness to take care of their mama. Let the ladies have that very lovely, emotional moment. (Yes, it made me cry.) And thank you for making Mama smart, strong, powerful and NOT just crazy.

Anyway, Captain Irving is outta there (Thank God). Let’s hope we get the Trifecta in action again.

Coda?  Back to Katrina, looking a little worse for wear (but still wearing those jeans and that corset).

My Favorite Things

Focus on Abbie (and Jenny).

The Trifecta

More than two black people in a scene.

Two women in conversation in a scene more than once. (We’ve gotten this before. Nice to see again).

An African incantation.

I cried.

My Pet Peeves

It’s okay to leave the white male characters in the intro and give the rest of the episode to the ladies. Really.

Most of what I mentioned above in the  review.

Another incantation.(Yes, I know Abbie and Jenny are probably witches, but still.)

Coming attractions seem to throw us back to the Cranes Center Stage With Abbie as Sidekick mode. Pray it isn’t so. Hopefully, the good faith and continued loyalty of the staunchest fans will be rewarded by more episodes like tonight’s.

Sleepy Hollow S2E8: “Heartless”

You Gotta Have Heart

pretty Abbie

But how do you really feel? This becomes the resounding question that episode 8 asks. After last week’s reunion of Katrina and Ichabod,  Sleepy Hollow tries to further create a real marriage relationship between Ichabod and Katrina, but it seems, well, hollow, despite the mellifluous,whispery voices. Passion? Nah. Perfunctory? Yep.


Lest we forget, even when they were in bed last episode, I wasn’t buying it.

The jealousy Ichabod feels when he hears that Abraham (aka The Headless Horseman) had been taking care of his woman, would be so much more fun and believable, if he had some true passion for his wife. Ah, but that’s the point, isn’t it?  Ichabod knows he’s supposed to love Katrina passionately, but doubts have been planted episode by episode (they hide things from each other, they’ve been separated a long time, The Headless Horseman is a handsome, helpful dude with a head in Katrina’s presence, Abbie is…well…Abbie).

Meanwhile, Henry is up to his old tricks, trying to raise Moloch via wreaking havoc on the poor little town via an Incordata or succubus. The creature sucks the heart out of those who have strong hidden feelings. The message? Suppressed desire will end up killing your ass.

Hawley and Succubussleepy-hollow-succubus-heartless-750

I’m hoping that it’s just these two episodes that Abbie is so reactive. She figures things out, walks around with papers and photos. Yeah, she continues to fire off a shot or two, goes on the hunt, saves the day by reading an incantation. But she’s constantly The Commentator, laying the I’m-all-business and I’ll-tell-you-like-it-is on pretty thick. But there is method to this madness. Abbie is fighting her secret attraction to Ichabod tooth and nail, as is Ichabod for Abbie. And they are both fighting self knowledge of their feelings for each other most of all. But it peeks out in little ways: the look on Abbie’s face whenever she watches Ichabod with his wife. The jealousy that Ichabod can’t hide when he realizes Hawley has a thing for Abbie. What I call the Relationship Event Horizon is nearing…the moment when all is revealed and long awaited fervent kisses ensue. But we’ll have to wait for that.

I loved the gender pairing of Ichabod and Hawley in the club while Abbie and Katrina went hunting for the succubus heart, providing an opportunity for more little revelatory disclosures and playing up the fact that each pair loves the same people.

Ichabod and Hawley

In the climax, the succubus calls Ichabod out on his doubts. “I can sense your desire. It burns strong. Even though you fight so hard to hide it.” Uh-huh.

Foreshadowing in Abbie’s comment to Katrina about Henry: “I think there are things that even a mother’s love can’t overcome.” It’s not just Katrina, but Abbie’s mama that comes to mind as well. (Get ready for episode 9).

I keep waiting for Abbie to share some fun, special  little tidbit about Ichabod that unwittingly clues Katrina in on Abbie’s true feelings…and to watch those awkward realization sparks fly. Ah well. That’s not gonna happen any time soon, since Katrina is conveniently dispatched back to The Headless Horseman, by her own volition, when she tells Abbie it’s the only way she can help stop Moloch. (Was that a secret little twinkle in Abbie’s eye???) You really didn’t think Katrina was going to stick around for more than a couple of episodes and muck up the approaching Relationship Even Horizon, did you?

Abbie smiling

A little surprisingly, Ichabod is not broken up by Katrina going back to The Headless Horseman and even goes so far as to declare “We must allow relationships to evolve and we must allow them to follow their natural course.”  Oh yeah, we get the double meaning, you desirous dog, you.

My Pet Peeves

Sucked dry, dessicated victims is a bit shopworn.

Is Hawley a character or a device?

Katrina’s still in that corset? (Is period clothing grafted to these people?)

My Favorites Moments

I’ll go to superficial first: loving Ichabod’s flowing tresses.

The Hawley factor, in particular the shirtless bandaging of his wound. (Oh, am I still being superficial?)

Abbie digging into a jar full of maggots to pull up a heart: “This is nasty.”

Abbie setting Hawley straight: “Sorry you’ve got your signals crossed, but I’m sure you’ve misread women before.”

To ride out the episode, Ichabod’s final line about Katrina is a nice set up: “I trust her.” Ah, but Henry knows better than anyone, a mother’s love knows no bounds. The sneaky little devil.